Theory
* Definition and simple explanation - Dhwani, origin of Dhwani, Kampan, Aandolan - Niyamit, Aniyamit, Sthirta - Asthirta Aandolan, Aandolan - Sankhaya, three characteristics of Naad, High-Low Aandolan - Number Relation, Naad and Shruti Types of songs - Bada-Khayal, Chota Khayal, Dhrupad and Lakshan-geet ke avayav, (Sthai, Antara, Sanchari, Abhog), Janak Thaat, Janya Raag, Ashraya raag, Grah, Ansh, Nyas, Wakra-Swar, Samay-Samay and Saptak's Poorvang-Uttarang, Vadi-Swar's relation with the time of Raag, Poorvang-Uttarang raag, Tigun, Chaugun, Meend, Kan, Sparsh Swar and Wakra swar.
* Raga Parichay - Complete introduction of first and second year raags and practice of writing them in swar lipi including Thaat, Swar, Aaroh-Avaroh, Jati, Pakad, Samay, Varjay swar and Alap taan.
* Taal Parichay - Complete introduction to Taals of both the years and practice of writing them in Thah, Dugun, and Chaugun.
* Knowledge of Bhatkhande swarlipi paddhati.
* Identifying raags by written swars.
* Knowledge of telling the similarity-difference in similar raag.
* Brief biography of Tansen and Amir Khusro and introduction to their musical works.
Practical
* Swar-Gyan - Special knowledge of singing and recognizing S......read more